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solo shows
2012 Danese Gallery, New York, NY
2010 Smith College Museum of Art, Northampton, MA
Howard Yezerski Gallery, Boston, MA
2008 Danese Gallery, New York, NY
2006 Danese Gallery, New York, NY (catalog)
Saint-Gaudens Memorial, Cornish, NH
2004 Howard Yezerski Gallery, Boston, MA
2003 Danese Gallery, New York, NY
2002 Howard Yezerski Gallery, Boston, MA
Reynolds Gallery, Richmond, VA
2001 Danese Gallery, New York, NY
2000 Hidell Brooks Gallery, Charlotte, NC
1999 Howard Yezerski Gallery, Boston, MA (catalog)
Danese Gallery, New York, NY
1998 Howard Yezerski Gallery, Boston, MA
1997 The Danforth Museum of Art, Framingham, MA
1996 Howard Yezerski Gallery, Boston, MA
Allan Stone Gallery, New York, NY
1995 North Bennington Independent Artists Society, Bennington, VT
Akus Gallery, Eastern Connecticut State University, Willimantic, CT
1994 Howard Yezerski Gallery, Boston, MA
1990 Harcus Gallery, Boston, MA
1988 Harcus Gallery, Boston, MA
1986 Harcus Gallery, Boston, MA
group shows (top of page)
2012 The Linda Lee Alter Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
2011 In the Presence of Light, Danese, New York, NY
Naked, Howard Yezerski Gallery, Boston, MA
Poetical Fire, Sheldon Museum of Art, Lincoln, NE (catalog)
Works on Paper II, Danese, New York, NY
Feast, Lemberg Gallery, Ferndale, MI
2010 Sweetness and Light, Hampden Gallery, UMASS Amherst, MA
Works on Paper, Danese, New York, NY
2009 Drawing Itself, Brattleboro Museum, Brattleboro, VT
I Want Candy: The Sweet Stuff in American Art, Fresno Metropolitan Museum,
Fresno, CA (travels to Nicolaysen Museum, Casper, WY)
2008 Here's the Thing: Single Object Still Lifes, Katonah Museum of Art, Katonah, New York
Picnic, Paper New England, West Hartford, CT
2007 All the More Real, Parrish Art Museum, Southampton, NY (catalog)
Loneliness & Melancholy, New Space Gallery, Manchester Community College, Manchester, CT
Sugar Buzz, Lehmann College Art Gallery, Bronx, NY
Sweet Stuff in American Art, The Hudson River Museum, Yonkers, NY
2006 Transitional Objects, Neuberger Museum of Art, Purchase, New York
The Hungry Eye, Chelsea Art Museum, New York, NY
2005 Unrehearsed Acts, Curated Christine Darnell, Artspace, New Haven, CT
2004 Full Disclosure, Geoffrey Young Gallery, Great Barrington, MA
Sexy Sustenance, Lillian Imming Gallery, Emmanuel College, Boston, MA
Stillness, curated by Willard Lustenader, Artspace, New Haven, CT
2003 Sweet Tooth, COPIA, Napa, CA
2002 Painting in Boston: 1950-2000, The DeCordova Museum and Sculpture Park, Lincoln, MA (catalog)
Drawings from the Grinnell College Collection, The Faulconer Gallery, Grinnell College, Grinnell, IA
177th Annual Invitational Exhibition, National Academy of Design Museum, New York, NY
2001 Group Exhibition, Lemberg Gallery, Ferndale, MI
Private Thoughts/Personal Demons, The Klemm Gallery at Siena Heights University, Adrian, MI
2000 Face Off, Fuller Museum of Art, Brockton, MA
Eloquent Objects, Bates College Museum of Art, Lewiston, ME
Figure, Fantasy & Illusion, Danforth Museum of Art, Framingham, MA
New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, Rochester, NY
1999 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield, CT
New Jersey Center for Contemporary Art, Summit, NJ
1998 Notations of Color: College Museum of Art, Lewiston, ME
1996 Posing Reality, University Gallery, Fine Arts Center, UMass Amherst
Contemporary Landscapes, Virginia Lynch Gallery, Tiverton, RI
Northern Voices: The No-Brow Traveling Medicine Show, Christine Price Gallery,
Castleton State College, Castleton , VT
Four American Painters, Musée du Chateau de Rochefort-en-Terre, Rochefort-en-Terre, France
1995 Still Life, Virginia Lynch Gallery, Tiverton, RI
1994 Exhibition of Painting and Sculpture, curated by Klaus Kertess, Berkshire Museum, Pittsfield, MA
1993 Altered Reality, Howard Yezerski Gallery, Boston, MA
Seventh Triennial Exhibition, Fuller Museum of Art, Brockton, MA
Group Show, Barbara Scott Gallery, Miami, FL
Seeing the Object, Massachusetts College of Art, Boston, MA
1992 Reality as Metaphor, Danforth Museum of Art, Framingham, MA
New England/New Talent, Fitchburg Museum of Art, Fitchburg, MA
New Art '92, Kingston Gallery, Boston, MA
1990 Boston Through the Years, Harcus Gallery, Boston, MA1990
New at the Art Guild, The Farmington Art Guild , Farmington, CT
1988 The Factory, A Reconsideration, Laura Knott Gallery, Bradford College, Bradford, MA
1987 Enduring Visions, The Copley Society, Boston, MA
Interior Spaces, Danforth Museum, Framingham, MA
1986 Nature Observed, Danforth Museum, Framingham, MA
education (top of page)
1983 Smith College, Northampton, MA
1984-87 Massachusetts College of Art, Boston, MA
awards (top of page)
2002 Visiting Artist, American Academy in Rome
1996 Artist Residency Program, Rochefort-en- Terre, France
1995 Art Matters Inc., Fellowship
1994 NEA/New England Foundation for the Arts Fellowship Award in Painting
1989 Massachusetts Artists Fellowship Program, Finalist in Painting
collections (top of page)
Falconer Gallery, Grinnell College, Grinnell, IA
The Seavest Collection, New York, NY
The Boston Globe, Boston, MA
The Boston Public Library, Boston, MA
The Charles Hotel, Cambridge, MA
Eastern Connecticut State University, Willimantic, CT
Fidelity Investments, Boston, MA
Fleet Bank, Boston, MA
Morgan Stanley International Headquarters, NY
Museum of Fine Arts, Boston, MA
The New England, Boston, MA
Schrager Collection, Omaha, NE
Smith College Museum of Art, Northampton, MA
Wellington Management, Boston, MA
bibliography (top of page)
2011 McQuaid, Cate. "In the Flesh," Boston Globe, 20 July 2011, G section.
2010 Smee, Sebastian. Artist Profile, Boston Globe, 18 July 2010, illus.
McQuaid, Cate. "Gallery reviews," The Boston Globe, 12 May 2010, G section, illus.
Weld, Eric, "Doughnuts, Yes, But So Much More", Grecourt Gate News
2008 "Emily Eveleth," The New Yorker, 6 October 2008, p. 16.
2006 "Emily Eveleth," The New Yorker, 29 May 2006, p. 14.
2005 Feintuch, Burt and Watters, David. "The Encyclopedia of New England," Yale University Press, p. 138.
2004 McQuaid, Cate. "Painters Hula Hoop Art Is Mysterious," The Boston Globe, 1 October 2004 , p. C20, illus.
Harper's Magazine, December 2004, p. 29, illus.
McQuaid, Cate. "Galleries," The Boston Globe, 23 July 2004, p. C20, illus.
2003 Koplos, Janet. "Emily Eveleth at Danese," Art in America," July 2003, pp 88-89, illus.
Johnson, Ken. "Emily Eveleth," Art Guide, The New York Times, April 25, 2003
The New Yorker, March 17, 2003, p. 130, illus.
Gastronomica, Winter 2003, cover illus.
Tanguy, Sarah. "Sweet Tooth," exhibition catalog, pp. 18-19, illus.
2002 Sussler, Betsy. "Emily Eveleth," Bomb Magazine, Fall 2002, No. 81. pp. 36 -37, illus.
Harper's Magazine, May 2002, pp. 33, 36 & 41, illus.
Capasso, Nicholas, Rachel Rosenfeld Lafo, and Jennifer Uhrhane,
"Painting in Boston: 1950 - 2000," Amherst: University of Massachusetts Press.
2001 "Emily Eveleth," The New Yorker, 29 January 2001, p. 17.
Hrbacek, Mary. "Emily Eveleth," New York Art World, February, 2001. pp.14,17, illus.
2000 McQuaid, Cate. "The Fuller Presents a Nude Awakening," The Boston Globe, 24 September 2000
Silver, Joanne. "Art Review." The Boston Herald, 1 September 2000
Isaacson, Philip. "Still Life Show at Bates", Maine Sunday Telegram, 18 June 2000.
Grau, Jane. “Art Review”, The Charlotte Observer, 6 February 2000, Sec. F., p. 3.
1999 Gomez, Edward. “Arts in America”, The New York Times, 21 March 1999
"Emily Eveleth," The New Yorker, 19 April 1999, pp. 13/16. illus.
McQuaid, Cate. "Doorways to Mystery, Roiling Dough", The Boston Globe, 28 October 1999. Sec. D, p.8.
Grau, Jane. “Art Review”, The Charlotte Observer, 8 August 1999, Sec. F, p. 1.
Griffith, Bill. "Church," The Boston Globe, 3 June 1999.
Muller, Mario. “Emily Eveleth”, Review, 15 April 1999, p. 27.
1998 Sharpe, Lora. “Modern View.” The Boston Globe, 17 May 1998, Home and Garden
McQuaid, Cate. “Exploring Liminal Space, Where One Thing Leads to Another.” The Boston
Globe, 12 March 1998, Living/Arts, p. 3.
Long, Andrew. “Go Figure.” Art and Antiques, March 1998, p. 30.
1997 Temin, Christine. "Eveleth Selects." The Boston Globe, 11 June 1997, Living/Arts, p. 1.
Nigrosh, Leon. Review, The Worcester Phoenix 30 May 1997
Day, Meredith Fife. "Eveleth Selects for Danforth Exhibit." The Middlesex News, 20 May 1997, sec. C, p. 1.
Spirito, Mari. "Emily Eveleth." Arts Media, January/February 1997, p. 28.
1996 Campbell, Lawrence. "Emily Eveleth and Elizabeth King at Allan Stone." Art in America, December 1996, p. 98.
"New American Paintings, Number VII," Open Studios Press, Summer 1996.
1995 Van Siclen, Bill. "Street-smart Action from Green Mountain State." The Providence Journal, 14 April 1995.
Dunning, Steve. "Art Review." The Bennington Banner, April 1995.
Karmel, Terese. "From Dolphins to Doughnuts." The Willimantic Chronicle, 3 February 1995, p. 8.
1994 Stapen, Nancy. "National Reviews." ARTnews, October 1994, p. 198.
Grant, Daniel. "A Little Whitney in Pittsfield." The Berkshire Eagle, 11 October 1994.
Gilbert, Sidney. "Allan Stone Mounts a Sensational Group Show."Artspeak, October 1994.
Harper's Magazine, June, 1994, p. 27.
Griffith, Bill. "A Hole New Thing." The Boston Globe, 14 May 1994, p. 79
Stapen, Nancy. "Audubon's Birds, Eveleth's Doughnuts." The Boston Globe, 31 March 1994, pp. 61 & 66.
1993 Barr, Peter. "Regional Review." Art New England, Feb/March 1993, p. 41.
1992 Tremblay, Bob. "Trends." The Middlesex News, 30 October 1992, p. 1.
Silver, Joanne. "Art Review." The Boston Herald, 27 November 1992, p. S23.
Temin, Christine. "Perspectives." The Boston Globe, 25 November 1992.
Carlock, Marty. "The Metaphoric Possibilities of Still Lifes." The Boston Globe,
West Weekly, 15 November 1992, p. 11.
Fleischmann, Eric. "Art Review." The New Haven Register, 22 March 1992.
1990 Silver, Joanne. "Art Review." The Boston Herald, 8 July 1990, p. 41.
Sherman, Mary. "Art Review." The Boston Globe, 28 June 1990, p. 46.
Macauley, Ann. "Making Art: Eight Alumnae Artists." Smith Alumnae Quarterly, Fall 1988, p. 6.
1986 Donker, Peter P. "Nature Speaks for Itself." The Worcester Sunday Telegram, 23 November 1986.
Stapen, Nancy. "Weekend." The Boston Herald, 14 November 1986, p. 66.